【ACT 91.】
Fruit of the “Empire”
企畫——文貞姬
Category攝影
ACT 89. 毡團存有．流域織造──大地藝術的境身力與群構造
【ACT 89.】
Meshwork Being and River Basin Interweaving: Affordances and Grouping field in Earth Art
企畫——龔卓軍、陳冠彰、黃瀞瑩
ACT 88. 農業創生・萬物索引：如果耕耘是一種創作
【ACT 88.】
Creating Life through Farming, the Index of Living Beings: If Cultivation is a kind of Creation
企畫——吳克威、蔡郁柔
和平共存於一個擴展中的美學宇宙：攝影與文學話語
【ACT 78.】
Co-existed Peaceably in an Expanding Aesthetic Universe: Photography and Literary Discourse
文——陳佳琦
從紀實到散文：台灣攝影論述的文學想像及其可能的發明
【ACT 78.】
From Documentary to Essay: On the Literary Imagination of Taiwanese Photography Discourse and Its Possible Invention
文——張世倫
The Power of Sihanouk and the Power of Cinema: A Filmed Execution in Cambodia, 1964
By Roger Nelson
from ACT 77. South Plus: Searching for New Solidarities in Global Critique
ACT 74. 反身像：異步、實驗、恍惚性——反身像的第三種聲音
【ACT 74.】
Reflexive Image: Asynchronicity, Experiment, Trance.
The Third Voice in Reflexive Image
企畫———林欣怡
ACT 68. 交陪影像：台灣攝影史的民俗誌
【ACT 68.】
Kau-Puê Image: The Ethnography of Taiwan Photography History
企畫———龔卓軍