【ACT 92.】
Landscape Phases, River-basin Trails: Collective Circularity and Cartography in Situ.
文——龔卓軍
Category身體
浸入境身・影像製造的時間記憶
【ACT 89.】
Immerse yourself in the realm, a time-memory created by Images
文——葉菁
從身體現象學到毡團存有學：提姆．英格德南藝大講座的哲學反思
【ACT 89.】
From Phenomenology of Body to Meshwork Ontology: Philosophical Reflections On Tim Ingold’s Series Lectures in TNNUA
文——龔卓軍
ACT 89. 毡團存有．流域織造──大地藝術的境身力與群構造
【ACT 89.】
Meshwork Being and River Basin Interweaving: Affordances and Grouping field in Earth Art
企畫——龔卓軍、陳冠彰、黃瀞瑩
ACT 88. 農業創生・萬物索引：如果耕耘是一種創作
【ACT 88.】
Creating Life through Farming, the Index of Living Beings: If Cultivation is a kind of Creation
企畫——吳克威、蔡郁柔
「未盡的群像」座談三：原住民藝術中的身體創作與性別認同
【ACT 85.】
Gender and Body identity in Taiwanese Indigenous art
主講——林安琪、黃瀞瑩
「未盡的群像」座談二：當代部落中的同志經驗
【ACT 85.】
Queer experiences in Contemporary Taiwanese Indigenous communities
主講——Apyang Imiq、Yukan Yulaw
「未盡的群像：原住民社群中的性別重影」座談紀錄
【ACT 85.】
Discussion records of ‘Unmentioned Group Portraits: Ghosting imageries of Gender in Taiwanese Indigenous communities’
策劃——呂瑋倫
臨界區．獵人帶路：從地方學到流域學的地方生態知識
【ACT 84.】
Critical Zone, Hunter-Gatherer Leading the Route: From Local Knowledge to Watershed Ecology
文——龔卓軍
ACT 81. 信與不信——另類療法的藝與術
【ACT 81.】
To Believe, or Not to Believe – Arts and Approaches of Alternative Therapy
企畫——高千惠
The Power of Sihanouk and the Power of Cinema: A Filmed Execution in Cambodia, 1964
By Roger Nelson
from ACT 77. South Plus: Searching for New Solidarities in Global Critique