【ACT 88.】
Creating Life through Farming, the Index of Living Beings: If Cultivation is a kind of Creation
企畫——吳克威、蔡郁柔
Category亞洲
亞洲與女性，抽象美術的跨越西方中心主義
【ACT 87.】
Asia and Women, Beyond the West-Centrism in the Abstract Arts
文——文貞姬
ACT 87. 女性主義前後，東亞．女性．藝術
【ACT 87.】
Before and After Feminism, Women Art in East Asia
企畫——文貞姬
ACT 85. 原民場域．當代轉換：藝術的原民性與困惑的多元性
【ACT 85.】
Indigenous Fields, Contemporary Transformations: Indigeneity in Arts and Confusions in Plurality
企畫——黃瀞瑩、呂瑋倫、龔卓軍
ACT 84. 流域治理．萬物身世——曾文溪的一千個名字
【ACT 84.】
Watershed Governance, Life Experience of Living Beings: One Thousand Names of Zeng-wen River
企畫——龔卓軍
ACT 80. 藝術測量．人類世美學批判
【ACT 80.】
Artistic Measuring, Aesthetic Critique in Anthropocene Epoch
企畫——龔卓軍、張君玫
Media Ghostings: Three and a Half Hauntings of the Vietnam War
By Pujita Guha and Abhijan Toto for the Forest Curriculum
from ACT 77. South Plus: Searching for New Solidarities in Global Critique
Imagining Lao World Order at Cold War
By Anna Koshcheeva
from ACT 77. South Plus: Searching for New Solidarities in Global Critique
The Power of Sihanouk and the Power of Cinema: A Filmed Execution in Cambodia, 1964
By Roger Nelson
from ACT 77. South Plus: Searching for New Solidarities in Global Critique