【ACT 78.】
We Have Seen Ants Through the Water
文——呂佳機
Category當代
The Power of Sihanouk and the Power of Cinema: A Filmed Execution in Cambodia, 1964
By Roger Nelson
from ACT 77. South Plus: Searching for New Solidarities in Global Critique
南方性？離散意識與認同生產中的新南方
【ACT 77.】
The South or New South in the Consciousness of Diaspora and Identity Production
文———林育世
Art and Action in Postwar Japan: From Reportage Painting to the Expo Destruction Group
By KuroDalaiJee
from ACT: a decade on
編一本沒有忠實讀者的雜誌——互媒體的未來
【ACT改版10週年特輯】
To Edit a Magazine Without Loyal Readers: The Future of Intermedia
文———邱俊達
數位時代的反思：一份仍堅持紙本品質的藝術雜誌，為什麼？
【ACT改版10週年特輯】
Rethinking the Digital: An Art Magazine Still Insists on Print Copy, Why?
文———陳沛妤
連結過去與當代：《藝術觀點》二十年的社會性藝術風景建構
【ACT改版10週年特輯】
Linking the Past and the Contemporary:
ACT’s Construction of Social Art Landscape in 20 Years
文———楊佳璇