【ACT 99.】
1950 and 1960’s Taiwan-Korea Biennale of International Exhibitions
文——文貞姬
Category當代
ACT 99. 二〇二四威尼斯雙年展的進出邊界:韓國館的建立與挑戰
【ACT 99.】
Inside and Outside the 2024 Venice Biennale: Establishment and Challenges of the Korean Pavilion
企畫——文貞姬
璀璨年代——從二十世紀的東亞藝壇看其傳統、現代的衝突與交融
【ACT 98.】
The Splendid Era——The Confit and Fusion of Tradition and Modernity from the East Asia Art Circle of the Twentieth Century
文——林素幸
ACT 98. 璀璨年代——二十世紀初的東亞藝術與文化
【ACT 98.】
The Splendid Era── The East Asia Art and Culture of Early Twentieth Century
企畫——林素幸
追溯城市的血脈──看見╱感知「我們從河而來」的流域身世
【ACT 97.】
We Are Born by the River: Inquiry into Thousand Years Tracing the Invisible Stream: On Exhibition Planning “We Are Born by the River”
文——洪榆橙
我們從河而來:臺南400的千年流域文化美學初探
【ACT 97.】
We Are Born by the River: Inquiry into Thousand Years River-Basin Culture in the Context of Tainan 400
文——龔卓軍
ACT 97. 我們從河而來:流域千年.文化共筆
【ACT 97.】
We Are Born by the River: Collaborative Notes of Millennium River Basin Culture
企畫——龔卓軍、洪榆橙
時空的敞開與縫合:360實拍VR《無法離開的人》的美學政治
【ACT 96.】
The Open and Suture of Time and Space: The Aesthetic Politics of VR360 The Man Who Couldn’t Leave
文——龔卓軍
ACT 96. 時空縫合實驗室:VR體感的美學政治
【ACT 96.】
The Laboratory of Suturing Time and Space: Aesthetic Politics of VR Sensations
企畫——龔卓軍、沈裕融、王柏偉
物質纏捲、多孔事件及其環境書寫:「2022年意識部落重返金樽行動」現場筆記
【ACT 94.】
Landscape Phases, River-basin Trails: Collective Circularity and Cartography in Situ.
文——黃瀞瑩