【ACT 92.】
Landscape Phases, River-basin Trails: Collective Circularity and Cartography in Situ.
文——龔卓軍
Category策展
ACT 89. 毡團存有．流域織造──大地藝術的境身力與群構造
【ACT 89.】
Meshwork Being and River Basin Interweaving: Affordances and Grouping field in Earth Art
企畫——龔卓軍、陳冠彰、黃瀞瑩
「未盡的群像」座談三：原住民藝術中的身體創作與性別認同
【ACT 85.】
Gender and Body identity in Taiwanese Indigenous art
主講——林安琪、黃瀞瑩
奔向大海：部落的回返如何開啟新的關係？
【ACT 85.】
Running Toward The Sea: The Ways Of Initiating New Connections In Returning To Tribes
主講——Nakaw Putun
ACT 85. 原民場域．當代轉換：藝術的原民性與困惑的多元性
【ACT 85.】
Indigenous Fields, Contemporary Transformations: Indigeneity in Arts and Confusions in Plurality
企畫——黃瀞瑩、呂瑋倫、龔卓軍
ACT 81. 信與不信——另類療法的藝與術
【ACT 81.】
To Believe, or Not to Believe – Arts and Approaches of Alternative Therapy
企畫——高千惠
ACT 80. 藝術測量．人類世美學批判
【ACT 80.】
Artistic Measuring, Aesthetic Critique in Anthropocene Epoch
企畫——龔卓軍、張君玫
南方性？離散意識與認同生產中的新南方
【ACT 77.】
The South or New South in the Consciousness of Diaspora and Identity Production
文———林育世
東南亞的文化反叛：1970年代基進學生運動與集體實驗藝術運動的連帶
【ACT 77.】
Cultural Rebellion in Southeast Asia: Solidarities Between Radical Student and Collective Experimental Art Movements in the 1970s
文———辛友仁（Yu Jin SENG）
譯———曾涵生
Cultural Rebellion in Southeast Asia: Solidarities Between Radical Student and Collective Experimental Art Movements in the 1970s
By Yu Jin SENG
from ACT 77. South Plus: Searching for New Solidarities in Global Critique