【ACT 85.】
Focusing On Greater Sandimen: From Tavalan Tribes To Contemporary Art Field
受訪者——伊誕．巴瓦瓦隆
Category行動
奔向大海：部落的回返如何開啟新的關係？
【ACT 85.】
Running Toward The Sea: The Ways Of Initiating New Connections In Returning To Tribes
主講——Nakaw Putun
ACT 85. 原民場域．當代轉換：藝術的原民性與困惑的多元性
【ACT 85.】
Indigenous Fields, Contemporary Transformations: Indigeneity in Arts and Confusions in Plurality
企畫——黃瀞瑩、呂瑋倫、龔卓軍
映像鄒之屋：記憶／技藝重建術
【ACT 84.】
Image of Hʉfʉ: the Reconstruction of Memory and Craftsmanship
文——陳冠彰
在Hamo下山與水稻上山之間──曾文溪上游踏溯筆記
【ACT 84.】
The Descending of Hamo and the Paddy’s Encroaching on the Mountains ─ Upstream Tracing Notes of Zeng-wen River
文——黃瀞瑩
臨界區．獵人帶路：從地方學到流域學的地方生態知識
【ACT 84.】
Critical Zone, Hunter-Gatherer Leading the Route: From Local Knowledge to Watershed Ecology
文——龔卓軍
ACT 84. 流域治理．萬物身世——曾文溪的一千個名字
【ACT 84.】
Watershed Governance, Life Experience of Living Beings: One Thousand Names of Zeng-wen River
企畫——龔卓軍
Media Ghostings: Three and a Half Hauntings of the Vietnam War
By Pujita Guha and Abhijan Toto for the Forest Curriculum
from ACT 77. South Plus: Searching for New Solidarities in Global Critique
東南亞的文化反叛：1970年代基進學生運動與集體實驗藝術運動的連帶
【ACT 77.】
Cultural Rebellion in Southeast Asia: Solidarities Between Radical Student and Collective Experimental Art Movements in the 1970s
文———辛友仁（Yu Jin SENG）
譯———曾涵生
Cultural Rebellion in Southeast Asia: Solidarities Between Radical Student and Collective Experimental Art Movements in the 1970s
By Yu Jin SENG
from ACT 77. South Plus: Searching for New Solidarities in Global Critique
ACT 77. South +：全球南方的歷史共振
【ACT 77.】
South Plus: Searching for New Solidarities in Global Critique
企畫——辛友仁、蔣伯欣
