【ACT 78.】
Literature as Shadow Metaphor
企畫——張世倫、陳佳琦
Category影像
Media Ghostings: Three and a Half Hauntings of the Vietnam War
By Pujita Guha and Abhijan Toto for the Forest Curriculum
from ACT 77. South Plus: Searching for New Solidarities in Global Critique
The Power of Sihanouk and the Power of Cinema: A Filmed Execution in Cambodia, 1964
By Roger Nelson
from ACT 77. South Plus: Searching for New Solidarities in Global Critique
ACT 77. South +：全球南方的歷史共振
【ACT 77.】
South Plus: Searching for New Solidarities in Global Critique
企畫——辛友仁、蔣伯欣
反身民族誌：田野與再現中的政治實踐
【ACT 74.】
Reflexive Ethnography: Political Practice in the Fields and in Representation
文———曾涵生
ACT 74. 反身像：異步、實驗、恍惚性——反身像的第三種聲音
【ACT 74.】
Reflexive Image: Asynchronicity, Experiment, Trance.
The Third Voice in Reflexive Image
企畫———林欣怡
60年代台灣青年電影實驗的一些現實主義傾向，及其空缺
【ACT 74.】
A Certain Realist Tendency and Its Void in Taiwanese Youth Film Experimentation During the 1960s
文———張世倫
前衛追索，路徑想像：關於1960年代的電影實驗
【ACT 74.】
Imagining the Avant-garde: Film Experiments of the 1960s
文———林木材
ACT 74. 台灣切片│想像式前衛：1960s的電影實驗
【ACT 74.】
Taiwan Spectrum | Imagining the Avant-garde: Film Experiments of the 1960s
策畫———林木材